Alizarin crimson, indian yellow and prussian blue AGAIN

This is an 8 x 10 image from a photograph I took ages ago......33 years ago to be exact. It's mind boggling how time works. I started with an indian yellow toned canvas and then outlined the figure with the blue. I then began to block in the shapes within the figure and without the figure. Keeping the palette simple once agains keeps you as the artist simply asking the simple questions. Is it warmer (add more yellow) or cooler (add more red) than what it's next to. The other important question will be Is it lighter or darker. Everytime you add a color to another color it diminishes it's brightness unless of course you're adding white which again can work to cool it down. WITH such a limited palette you get the hang of it really easily. When I was photographing subjects and scenes to paint I would generally ask them (in this case I did the choosing) to wear white. It's of course super reflective and you can make the painting sparkle with the reflected lights. This is still available for sale on website www.sallyrosenbaumartgroup.com and as a print, or greeting card on FINEARTAMERICA https://fineartamerica.com/profiles/1-sally-rosenbaum/shop